Presented by Spirit of '68 POLICA DJ SET
POLICA - http://www.thisispolica.com
Minneapolis continues its golden run of producing quality talent with the first project to arrive out the Gayngs collective, the super slick electronic pop-soul outfit Poliça. Fronted by ice cool vocalist Channy Leanagh who sang with Gayngs, produced by Ryan Olson and featuring Mike Noyce from Bon Iver, it’s a who’s who of the current Twin Cities scene.
After collaborating in the studio and live with Gayngs in 2010, it became apparent that Channy and Ryan should form a group of their own. “As touring progressed and Channy got more comfortable with the band and singing the songs, she would reinvent the parts she was doing in brilliant ways. It made me want to see where else she could go” explains Olson. Ryan’s pop sensibilities and electronic adventurism would prove to be the perfect vehicle for Channy’s recent growth and evolution as a vocalist and dynamic experimentalist. In June 2011, they began writing together what would become Poliça’s debut album, Give You The Ghost.
The result is 11 perfectly formed auto-tuned songs that re-shape the intersection of pop and digitised R&B. And for all Poliça’s synthetic manipulation, Channy’s soft vocals and Ryan’s electronic soundscapes reveal a tender heart beneath, pulsating with life and raw emotion. Give You The Ghost opens with the attention grabbing sonic of first track ‘Amongster’, the two drummers immediately coming into full effect as it builds to a heady mass of beats, bass and Channy’s wandering vocals. ‘Violent Games’ continues the heavy on the drums theme, with duelling beats that intensify to machine gun-like levels, led by Channy’s urgent and cyclical vocals “Tremble at the taste of / Tremble at the taste of / Tremble at the taste of in his hands”.
Born out of the break-up of a recent relationship, the majority of Give You The Ghost reflects the difficulty of facing up to your mistakes and making peace with them; an exorcism via exciting new musical possibilities. “The recurring theme of this record is ‘what in the hell just happened and who in the hell am I anyways’” says Channy. This redemptive mood is key for the track ‘Dark Star’, released online late last year amidst a viral whirlwind. Backed by smooth brass breakdowns throughout and mid-tempo loping rhythms, it’s typical of Poliça’s often meditative content fused with the addictive refrain “Ain’t a man who can pull me down from my Dark Star”.
First sashaying single proper ‘Lay Your Cards Out’ and the dreamy ‘Wandering Star’ both feature Mike Noyce of Bon Iver on vocals and are equally as deliciously funk laden as they are hypnotic, with more ratatat drums from Ben Ivascu and Drew Christopherson, propelling the lush arrangements and slinky bass, provided by Chris Bierden.
The name Poliça refers to the word ‘policy’, meaning a definite course of action adopted for the sake of expediency, suggesting they were formed out of necessity. Which is exactly how this album feels and sounds; urgent, original and genre defying, Poliça are absolutely essential in 2012.
MARIJUANA DEATHSQUADS - Marijuana Deathsquads is the ever-evolving, electronic-hardcore project lead by Ryan Olson, (producer/writer of POLIÇA and GAYNGS), Isaac Gale, and Stefon Alexander (P.O.S). With multiple drummers, a slew of electronic instruments, and highly effected vocals, their live shows are a violent onslaught of improvised electronic-hardcore.
SOLID GOLD - http://solidgoldband.com
So the Portuguese have this saying: saudade, a single word that summarizes an entire state of being, a lingering sense of longing for lost love and sepia-toned snapshots of yesterday. The way Solid Gold sees it, saudade might as well be the subtitle of their second album: Eat Your Young, a slow-burning set of skittish synths, glassy beats, ripple effect riffs, and melancholic melodies that leave you wondering what left a trail of scar tissue deep within the group’s core trio (frontman Zack Coulter and multi-instrumentalists Matthew Locher and Adam Hurlburt).
Eat Your Young creeps across your speakers like a quiet storm, ebbing and flowing at every turn, from the exorcised demons of “The Pendulum” to the bookending outbursts of “Shock Notice” and “In the Hollows.” All of which sounds incredibly confident despite the record’s shades of darkness. That’s because Solid Gold spent years developing their musical and lyrical concepts, beginning with their smoky club formation at the University of Wisconsin—Locher and Coulter were in the same architecture class—and becoming much more of a serious pursuit once the group moved to Minneapolis and tracked their 2008 debut, Bodies of Water.
“Our instrumentation ranges from crude to classic,” adds Locher. “All of us operate within those parameters. The best way to describe our songwriting process is ‘atomic’—electrons trying to rip themselves from a nucleus to recombine into new forms.”
Maybe that’s why Eat Your Young brings to mind everything from the gleaming skyscrapers of Blade Runner to the dimly lit streets of a midnight drive. Or as Locher puts it, alluding to the band’s push and pull dynamics, “Dystopian futures, wrought with oppression and rich with struggle, just seem to fit our sound best.”